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As long as a feckless
megalomaniac remains at the helm of my country, I don't expect to
experience a moment of bliss or joy that's pure. That said, as the
week winds down I feel less a hopeless failure and experience flashes
of (Trump adjusted...) satisfaction. Since the hurricanes I listen
to music instead of CNN while working. Callous indeed but any news
that isn't a foreboding of the president's humiliating ouster isn't
of a lot of interest. A review of a new Joni Mitchell biography
inspires me to revisit more of her oeuvre. Blue is in my
Napster library, but in my memory, the earlier stuff is too hippie
sugary and the later albums too jazzy. I listen to a compilation of
all of her studio albums from 1968 through 1979 and realize, that
while there are traces of excessive syrup and jazz, my mind's ear has
played tricks on me and with very few exceptions I am in awe of the
intelligence and originality so evident in the body of her work. I'm
still embarrassed at my lovesick/loveless pathetic self during the
era of Joni supremacy. While a lot of her sophistication eluded me,
I respect teenage me more for having intuited her genius.
Like
the psyches of most women my age, Joni's lyrics are deeply etched on
my own. Our dementia addled parents might spark to coherence with a
few strains of Moonglow
. Perhaps
“He gave me back my smile but he kept my camera to sell...” might
inspire my own return to the cogent. The Laurel Canyon music scene
is memorialized by Graham's Nash's Our
House which
I would happily never hear again.
The first lines of “Ladies of the Canyon” has stayed with me and
not in a good way. “Trina wears her wampum beads. She fills her
drawing book with line...” There are additional traces of naivete
and silliness in those early albums. Other artistic salons,
Bloomsbury and the Algonquin Table, come to mind. These artist groups
also generated inconsistent product. Like the Laurel Canyon music
scene, these movements turned out work flawed perhaps by immaturity
and/or the over consumption of mind altering substances. Still, these
collectives provide some of the best representations of the zeitgeist
of a time and a place. I listen to the Joni compilation a couple of
times. There's no word in English. Weltsmertz is close but it is
melancholy infused with more sweetness and the remembrance of that
warm explosion of hopeful love.
A
student complains to the principal that I am ineffectual. She is
rude and raises her voice to me during class. After a comedy of
errors, she is extracted, via security guard. The other teacher that
the unruly woman is transferred to indicates that, after signing a
written contract delineating appropriate behavior, the student is
passive and cooperative. I have mixed feelings about this. I am
glad that the student has a chance of learning some English and that
the other teacher doesn't have to contend with such belligerence.
But, the student's improved comportment makes me continue to question the
validity of her indictment.
Since
the incident, teaching becomes sheer dread. I sit on the Pasadena
freeway hoping for a bomb scare that necessitates an evacuation.
Lesson planning sucks up even more hours. I berate myself for still
not remembering all of the students names. The class dwindles to
about forty regulars. Still, there is a Wilder, a Wilmer and two
Wilsons plus the normal double or triple Juan, Carlos and Teresa.
Every night there are memos about looming tests and forms to fill in.
The job becomes so odious that I, more than once, consider quitting.
If
this were fiction there would be more foreshadowing but it's just a
moment and I'm not really sure what confluence leads up to it. The
chapter is about food. There is a photo to inspire them to talk
about being hungry and what they want to eat. A young man and woman
are talking. She's holding her stomach. The conversation is “I'm
hungry. Yeah, me too.” I tweak the dialogue. “I'm pregnant.
It's yours.” I am delighted that they remember “pregnant” from
last week's unit on health. Oh yeah. This is a fun and satisfying
thing that I do four nights a week. I know going in that bureaucracy
and commitment to mediocrity will make me cranky but in a nonce, I
get the classroom back. I love teaching. Not every student gets a
lot from the class. My life is a litany of half assed or hearted
efforts. I've never given my all, and my best, as ardently as I have
to teaching.
My
class is split into four groups based on level of ability. In a
predominately male class, I thoughtlessly name the second highest
group “The Butterflies.” I mention the grumbles last week and
receive a personal message from a friend containing a citation for
“butterfly” from an urban slang dictionary. The group is renamed
Tigers. Their final project is to create an instructional video for
the rest of the class to illustrate the physical commands students
are expected to master for the speaking test. Usually the students
start to discreetly slip out of class about ten minutes before the
final bell. The Tigers work on storyboards with such intense focus
that I have to kick them out.
The
middle of the road Pandas are struggling a bit. Their assignment is
to lead the class through a writing assignment similar to one
required on the exam. This is a large group and no one has emerged
as leader. Octavio has worked late for a week but is now returned to
the Pandas and I suspect he'll whip them into shape.
Octavio
is my tech man. He diagnoses lose connections on my projector and
deletes dropped students from my messaging list. Enrollment is open
so new students often drift in. On automatic pilot, Octavio asks for
their phones explaining to the befuddled newcomers that “she uses
apps so lets get it over with.” Octavio, in his early twenties, is
opened face, and has a smile that his eyes tell you is the real
McCoy. His speaking and writing ability is only slightly above dead
center of the class and this frustrates him. He could probably hack
it as a Tiger but he's so well liked that I think that his Panda-hood
will bolster his ego and serve the other students well.
We
have a messaging app and I communicate with various students
throughout the day. If someone does particularly well on a written
assignment I'll take a photo of it and transmit it to the whole
class. Octavio texts me wistfully for three days in a row, “Teacher,
I working late,” and ultimately, “I come tomorrow.” I inform
the class (after not being able to get my computer connected one
night) that Octavio is returning and there is applause.
A
number of students hug him and pat him on the back when he returns.
Many offer the seat next to them but after they embrace
affectionately he sits next to Carlos H. (as opposed to Carlos R and
Carlos M). I am able to differentiate Carlos H from all of his
namesakes and the Wilsons and other W boys because the H is for
handsome. He's tall and well built. His face is subtly chiseled and
he carries himself with easy aplomb. He is a Tiger, nee Butterfly.
Octavio and Carlos H. are usually attentive, volunteering to answer
questions and prodding other students to remain engaged. On the
night of Octavio's return however their heads are together and the
hum of whispered conversation and futile attempts to stifle laughter
emanates from their table. I approach to castigate them and see how
they are looking at each other and let it slide. Later I break
everyone into pairs to practice a conversation. I decide to split up
Octavio and Carlos H so at least they accomplish something with
regard to the acquisition of English. Carlos H protests. “I want
with him Teacher.” Nearby students chime in, annoyed that I would
consider separating them.
I
attend an adult education workshop that addresses lowering
effective filters. I get a few really good ideas about making
students feel more comfortable. The need to make students feel
welcome and at ease is now greater than ever. This orange elephant
in the room is addressed obliquely. My instinct that cultivating a
comfort zone is first and foremost is confirmed. I don't address
this with my students but I assume that most are undocumented. I
previously teach before the Republican Convention and Trump is a
constant source of comic relief. I assure my former class with
certitude that he will never be president.
Now,
I am in the classroom for nearly three months and there is no mention
whatsoever of the president. One night though, class is over and the
room is nearly empty. One of the W's asks me, “Teacher. You like
Trump?” One becomes quite adept at pantomime while teaching a low
level English course. I simulate vomiting,and really ham it up,
adding authentic sound effects. Everyone laughs but then I lock eyes
with Wilder (or is it one of the Wilsons?) the coda to his laughter
is a look so baleful that it makes me wonder. We have the LAPD on
campus, telling the students, firmly and repeatedly in Spanish that
they are not immigration agents. Reporting crimes against them, they
are assured, will not place the undocumented in jeopardy. Their cops
want them to feel safe. I work my own tail off to insure this. But
is this folly? I'm not really sure how afraid that they should
really be. Does the comfort of feeling needed and respected just
make them more vulnerable? I am fearful myself. These are terrifying
times. Still, I choose kindness as at least a cushion against things
the things that I cannot control.
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