I write again from an AirB&B apartment in Italy. Another
Saturday morning. This one in Florence. Himself sleeps.
Despite watching an instructional You.Tube video I have just
melted the tiny Bialetti coffee pot. I make a fine, albeit
dinky, cup yesterday. I think I’ve followed the same steps today
but apparently not and I am relegated to drinking tea. After
instant coffee in Ireland and a week of wee cups of Italian sludge,
it will nice to be home to my 12 cup machine and the jumbo canister
of Trader Joe’s beans.
We
travel off season, not only because that is when Himself has time
off, but also, to avoid crowds. Rome however is jammed. The
weather is lovely, in the 70s and the streets and cafes teem with
visitors and Romans alike. We walk around the Coliseum but the
ticket line is long and we observe that the inside is dense with
people snapping selfies. Crowds distract us from getting a real
feel for a place and it seems that in some cases looking at images
and video online is more satisfactory, as many of Rome’s heavy
hitter tourist sites feel like Disneyland. We eschew most of
the “A ticket” attractions and instead wander and poke into
churches.
The
number of churches, that don’t even merit guidebooks listings and
are over-the-top ornate is mind boggling. The percentage of Italian
Catholics who are church involved decreases every year. In most
of the churches we visit, there are a handful of people engaged in
prayer but almost all of the worshipers are substantially older than
we are. Despite the rockstar popularity of Pope Francis it is
predicted that church affiliation in Italy will continue to decline.
There are a number of UNESCO designated churches that will
always draw an admission paying crowd but what will become of the
little gems that are off the beaten path? It seems that there
is a church every few blocks and each has its own treasures. But
these structures, crammed with precious religious art, must cost a
bundle to maintain. I doubt if the Irish or Italian government
is in a position to protect and maintain every historic church and I
wonder, what with the decline in active Catholicism, how these
countless ancient churches will be preserved.
We
make the obligatory stop at the Trevi fountain. The crowd is
incredibly dense and we can’t really get close so Himself tosses
coins from high overhead. They may have hit the water or perhaps
another tourist. The Spanish steps are under construction. The
Vatican at dusk is stately and awesome but lined with kiosks laden
with religious kitsch and peddlers hawking selfie sticks.
There
are posters all over Rome advertising a Balthus exhibit. Perhaps
it is sacrilegious to take in a show by a modern French/Polish
painter instead of Michelangelo, Leonardo and Bernini but we both
like his vaguely creepy paintings of sexualized pre-adolescents and
cats. There is a particularly satisfying group of sketches
inspired by Bronte’s Jane Eyre and other works that give a nod to
Lewis Carroll. Balthus’ biography reveals that as a youth, he
was encouraged in his artistic pursuits by Rainer Maria Rilke. The
poet also happened to be having a love affair with Balthus’ mother.
Mostly
though, we walk. We get lost trying to find a recommended
restaurant and wander for hours on the outskirts of Rome, through
housing projects and modest neighborhoods. We navigate the
twisty alleys of the Travastere. The Monastario San Grigorio, home to
an order of Calmondolese monks since the 1570s, pops up as we stroll.
Just a sidebar in the guidebooks, we peruse the particularly
vibrant frescoes virtually by ourselves.
Himself
knows just about every saint and points them out in frescoes and
altarpieces. I can probably give most Jewish girls a run for the
money on martyrdom and torture wheels, upside down crucifixions, and
definistrations. For Himself these vivid depictions give vision
to the tales that filled his childhood. Despite the grisliness,
I think he experiences some sort of nostalgic comfort. For me,
most of the churches and monasteries are a blur. Altarpieces.
Frescos. Fantastically intricate painted ceilings. Tons
of gold leaf. Relics, including the preserved severed head of St.
Catherine of Siena.
I’ve
lost count now but one of the standouts is the Dominican monastery of
San Marco, in Florence. The artist-monk Fra Angelico was born
in 1395. The monastery displays altarpieces and spectacular
murals. During the Renaissance tones grew darker and more muted
but the work of Angelico is vivid and crisp. We notice too that
Angelico has a sense of community. Witnesses to miracles and
martyrdoms are engaged in conversation and their bodies stand
naturally. Fra Angelico seems to have broken with the stiff symmetry
of pre-renaissance paintings. It is this ordinariness of
spiritual experience that attracts me to the work of English painter
Stanley Spencer, who was undoubtedly very much influenced by Fra
Angelico.
The
tour of San Marco also includes the cells of the monks, each with a
mural depicting a stage in the life of Christ. Some of the
murals show the birth of Christ, all soft and sunny but others bear
gruesome images of the crucifixion that I would prefer not to have to
wake up to each morning. Another notable resident of San Marco
was the infamous super zealot monk Savonarola, who rallied against
the secular. His disciples burned artworks and books--The
Bonfire of the Vanities. Savonarola also spoke against the
corruption and greed of the church. The pope eventually ordered
the monk's excommunication and hanging. His hairshirt is
on display at San Marco.
Siena
is a spectacular medieval city. We stay at a former convent
that’s been converted to a hotel but is still under the church’s
aegis. There are fussy little signs everywhere. Don’t
put your suitcase on the bed. No clothes washing or food
allowed in the rooms. Eat your breakfast from a plastic tray so
as not to soil the tablecloth. Nevertheless, our spartan room
has a spectacular view of the ancient city and the magnificent
Byzantine Duomo. We climb an unbelievable number of steps to
reach a viewing balcony. The picture of splendid old city
surrounded by the gentle green hills of Tuscany is well worth the
effort.
From
Siena we travel on to Florence and then Venice. I work some on this
piece from a Venice coffee shop but the document disappears and as
our trip winds down I don't manage to get back to it until now,
having been home for a week. After having no television for our
first week in Italy, the apartment in Florence has a set and the only
English language channels are BBC and CNN. The news is devoted to
the Paris massacres exclusively. We can't help but watch, compelled
a bit more than we might be ordinarily I guess as Italy neighbors
France.
Church fatigue has
set in by the time we reach Firenze. We trudge with crowds through
the Bargello and Uffizi Galleries. I prefer the crisp vivid colors of
the late middle ages to the moody grays of the Renaissance except I
am taken with the complicated composition of the many enormous
Tintoretto works at Venice's Scuola di San Rocco.
Venice is our last
stop. I expect it to be unlike any place I've ever visited but am
blown away by how profoundly different it is. Our hotel is so
difficult to find that we have to load a video with directions unto
our phone. Dark, twisty alleys lead to bright crowded squares.
Dogs, without the risk posed by cars or bikes, wander freely. We see
a mutt with a fancy collar, by himself, walk into a pet store to
check out the merchandise. We see some Orthodox kids with payot and
yamulkes in less touristed Jewish ghetto. A plaque memorializes the
247 Venetian Jews who were deported and executed by the Nazis during
the Second World War.
As the church looses
ground in the west, the pope characterizes the current threat posed
by fundamentalist terrorists as a piecemeal Third World War. Back in
the day, church leadership could expediently rid itself of the
messily over zealous. The Pope made sure that after his hanging, the
bones of Savonarola were burned, less any relic peddlers attempt to
martyrize him. I doubt if this would be a practical solution for
mainstream muftis and imans.
Himself, the most
frugal person I have ever known, is actually enthusiastic about
commissioning from a Venice mask maker, a papier mache kitty with our
Gary's likeness painted from one of the pictures, from the several
hundred that I have stored of him, on my phone. It is difficult to
remember all of the animal companions we've survived but it is
inevitably the case that each pet has a favorite human and both
humans have pet pets. Gary's littermate Mary, who died a year ago,
preferred me and Gary has slept most nights on top of Himself and
spent many days perched on his shoulder, staring into a computer
screen.
Our herd has thinned
now to just a single dog. I stole from someplace the wonderful
observation that one dog is people. Two dogs are dogs. Given the
truth of this I am content to keep only a single dog. We say we want
to get down to no pets because we enjoy traveling so much. The truth
is, it has never really been a problem to get a house-sitter. The
problem is that when we travel we miss the pets too much.
Opie goes through
her normal hysterical whining and dancing routine when we return. If
I had worn military fatigues when I walked in the door after the
trip, the video would go viral. Gary usually gives us a cold
shoulder for about an hour before we get his purr back. We hear him
howling and finally find him cowering under the bed. He will not eat
and only briefly tolerates being held before he disappears again
under the bed. After three vet visits and no concrete diagnosis, he
has a seizure the day before Thanksgiving and we know that it is
time. Himself stays with him until the end. I can only stand the
first injection. The mask is beautiful and I am relieved when I
consider how much worse we'd feel now if we'd elected not to have it
made.
Even if we hadn't
endured the drama of losing the cat, I doubt if this piece would be
completed any sooner. The accretion of churches, punctuated by a
Paris bloodbath and all in God's name leaves me at sea. I do not
cover my Facebook profile pic with the French flag. I am not Charlie
Hebdo or France. Nor do I have an affiliation with any religious
organization and my observation is pretty much limited to a couple of
minutes on Friday night where we try to cram in some appreciation of
family and a nod to the salubriousness of mindfulness.
Freud alluded to the
human need for religion as a substitute for mother love. Himself
reads a book by a biologist who explores this theory with a
sophisticated scientific understanding. I wonder if there is any
evidence that suggests that the most vulnerable to religious excess
have a history of troubled maternal bonding.
There is some sort
of singular satisfaction I guess; Himself just can't pass up a
church. Between Ireland and Italy though I am more than sated. How
many of the greatest treasures of western art were created at the
behest of the Catholic church? To me, every ornate church is an
example of the church's insatiable appetite for wealth and power, The
clergy has its hands in the pockets of the poor while they preach for
them to accept the nobleness of poverty.
The conundrum for me
is that I am pretty intractable when it comes to freedom of religion.
But this unwavering tolerance opens the headways for a whole lot of
crackpot bullshit in the name of faith. Not that it would happen,
but perhaps stripping religious institutions from tax exempt status
in the U.S. might separate a bit of wheat from the chaff here at
home. Nor do I see an effective tool on the global horizon to tamp
down out-of-control extremism.
Fortunately, I have
not been charged with preventing deranged nut jobs from carrying out
atrocities in God's name. I have not been selected to oversee a more
equitable distribution of church assets. Apparently we have a
biological need to replace mother-comfort with the belief in some
higher loving force. Perhaps they'll invent a pill for this. Or
maybe, like the pantheistic faiths of Greece and Rome, the religions
of the world will simply run their course. And then of course
there's the chance that the Pope is right and we are on the cusp of
unimaginable destruction.
In the wake of the
attacks in Paris, someone posts “Don't pray. Think.” This makes
sense when one considers the scores of atrocities committed in the
name of faith. But my own thinking is confused and ineffectual. I
am not Paris, or Kenya or Malala. There is still clean up from
Thanksgiving. We are sad about our cat. We're due for a binge on
Amazon's Man in the High Castle. I have no bright ideas to bring to
the debate about religious extremism. Nevertheless, being in Europe
after the Paris attacks and having had thrown in my face for four
weeks the obscene riches of the Church, the state of religion is on
my mind. My thinking however is naive and distracted. When your
intellect is absolutely and utterly useless, maybe it's not so bad to
pray.
2 comments:
I too, was conflicted when I viewed the opulence of Italy's churches and basilicas. All this gilt (gelt) in the honor of a simple Jew who would have no need of such riches, other than to parcel it out to the needy. But then I did a bit more thinking on the matter, especially the "benevolent God" bit, who also would have no necessity for such excess, Him being omnipresent and all that. So aside from power and riches, what do these ancient treasures mean in the big scheme of things? IMHO, a kind and loving God would encourage us to do what we love. The millions of architects, artisans, craftspeople, painters, sculptors, etcetera, who have created these elaborate places of worship worldwide were absolutely doing what they were good at, and probably preferred to a profession of say, stable mucking.
On a trip that closely resembles your own, I also had much the same impression of the wealth of the Church. In the past, the Church was one of the few institutions that could afford to sponsor artists. If say, a wealthy merchant had commissioned Michelangelo to paint a ceiling in his private residence, it is doubtful it would have survived to this day. If indeed, the Church fathers had used the money they spent on art to feed the poor, it would have quickly disappeared and hunger would have returned just as quickly. In my view, it is the preservation of these masterpieces through the ages that gives some credence to the Church's involvement in works of art.
For believers, a pictorial representation of the tenets of their religion was the only way to communicate with a largely illiterate audience, so it made sense in that context.
Every time I try to wrap my modern mind around antiquity,I am left dissatisfied, just as I am when I attempt to understand politics, another topic that defies common sense.
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